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Retrospective in Four Volumes 4 Special Discount
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Retrospective in Four Volumes 4 Special Discount

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SKU: SK0092691-US20260105-083122 Category: Tag:
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DISC: 1

1. Libro De Cifra Nueva: Tiento Del Primer Tono I
2. O Lux Beata Trinitas
3. Magnificat Secundi Toni
4. Fantasia And A Lassus Motet
5. Tiento De Falsas I
6. Diferencias Sobre El Canto Del Caballero
7. Fantasie En Echo
8. Ballo Della Granduca, Swwv 319
9. Intrada
10. Allemande
11. Proportz
12. La Corante Du Roy
13. Ein Schöner Englischer Tanz
14. Spaniol Kochersperg
15. Herzok Moritz Tantz
16. Ungarescha
17. Saltarello
18. Prelude & Fugue In D Minor: I. Prelude
19. Prelude & Fugue In D Minor: II. Fugue
20. Suite In D Major
21. Magnificat
22. Grand Dialogue

DISC: 2

1. Choral Partita "Meinen Jesum Lass Ist Nicht"
2. Partita, Jesu Meine Freude, Lv 2
3. Ach Wie Nichtig, Ach Wie Flüchtig
4. Auf Meinen Lieben Gott
5. Herr Jesu Christ, Dich Zu Uns Wend
6. Introduction & Allegro Moderato (Live)
7. 3 Meditations: No. 1 In B-Flat Minor (Live)
8. 3 Meditations: No. 2 In F Major (Live)
9. 3 Meditations: No. 3 In C-Sharp Minor (Live)

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This album is the final volume in the retrospective series featuring Finn Videro, undoubtedly the best Danish organist ever. This album features the legendary recordings on the 17th century Compenius organ together with the much sought after baroque German organ works. Also included is a rare live recording from Dallax, Texas from Videro’s teaching years. Videro was born in Fuglebjerg, Næstved. He was the organist at the Reformed Church in Copenhagen from 1928 to 1941, the Jægersborg Church from 1942 to 1947, the Trinitatis Church in Copenhagen from 1947 to 1971 and St. Andreas Church in Copenhagen from 1971 to 1977. He was guest lecturer at Yale University and held an honorary doctorate from the University of Ã…bo in Finland. In 1933, he co-published with Oluf Ring a widely used organ primer. His organ playing was uncompromising and many believed that Videro’s musical interpretations were as close to the authentic, artistic and historical representation intended by the composer as one could get.

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