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Reformation Fan Favorite
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DISC: 1
| 1. Byrd: Callino Casturame, BK35 Byrd: Praeludium to the Fancie, BK12 |
| 2. Byrd: Fantasia, BK13 |
| 3. Byrd: Pavana Lachrymae, BK54 |
| 4. Byrd: Will Yow Walke the Woods So Wylde, BK85 |
| 5. Gibbons: Mask ‘Welcome Home’ |
| 6. Gibbons: Alman in G ‘The King’s Jewel’ |
| 7. Gibbons: Whoop, Do Me No Harm, Good Man |
| 8. Gibbons: Fantazia of Foure Parts |
| 9. Bull: My Self 1 |
| 10. Bull: My Grief 1 |
| 11. Byrd: The Bells, BK38 1 |
| 12. Bull: Walsingham 1 |
| 13. Sweelinck: Ut, Re, Mi, Fa, Sol, la a 4 Voci 1 |
| 14. Gibbons: Pavan and Galliard ‘Lord Salisbury’ I. Pavan 1 |
| 15. Gibbons: Pavan and Galliard ‘Lord Salisbury’ II. Galliard 1 |
| 16. Byrd: La Volta, BK91 1 |
| 17. Bull: Bull’s Goodnight |
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“Encountering a palace of riches” is how pianist (and Hyperion debutante) Mishka Rushdie Momen describes her experience of playing Tudor keyboard music, a varied selection of which is included here. It’s a description which could apply equally to the listener discovering the music in performances as convincingly idiomatic as these.





