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Petite Messe Solennelle Markdown

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SKU: SK0463710-US20260105-083122 Category: Tag:
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DISC: 1

1. Petite Messe Solennelle: Kyrie I
2. Petite Messe Solennelle: Christe
3. Petite Messe Solennelle: Kyrie II
4. Petite Messe Solennelle: Gloria I. Gloria In Excelsis Deo
5. Petite Messe Solennelle: Gloria II. Laudamus Te
6. Petite Messe Solennelle: Gloria III. Gratias
7. Petite Messe Solennelle: Gloria IV. Domine Deus
8. Petite Messe Solennelle: Gloria V. Qui Tollis
9. Petite Messe Solennelle: Gloria VI. Quoniam
10. Petite Messe Solennelle: Gloria VII. Cum Sancto Spiritu
11. Petite Messe Solennelle: Credo I. Credo In Unum Deum
12. Petite Messe Solennelle: Credo II. Crucifixus
13. Petite Messe Solennelle: Credo III. Et Resurrexit
14. Petite Messe Solennelle: Credo IV. Et Vitam Venturi
15. Petite Messe Solennelle: Prélude Religieux Pendant L'offertoire
16. Petite Messe Solennelle: Sanctus I. Ritournelle Pour Le Sanctus
17. Petite Messe Solennelle: Sanctus II. Sanctus
18. Petite Messe Solennelle: Communio. O Salutaris Hostia
19. Petite Messe Solennelle: Agnus Dei
20. Petite Messe Solennelle: Appendix. O Salutaris De Campagne

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The work is performed here with Rossini’s original instrumentation and also includes the hymn for soprano and piano ‘O salutaris hostia’, which is often omitted. As a world first, a bonus track ‘O salutaris de campagne’ is included. The four soloists are established operatic singers; among soprano Sandro Pastrana’s string of awards are prizes at the Ottavio Ziino competition in Barcelona, and mezzo-soprano Gabriella Sborgi has appeared as Cherubino in Le nozze di Figaro and also in The Rape of Lucretia, A Midsummer Night’s Dream and L’enfant et les sortilèges. Recent engagements of tenor Davide Giusti include the role of Alfredo in La traviata, and bass Carlo Lepore is something of a Rossini specialist, appearing regularly in roles such as Don Magnifico (La Cenerentola), and Basilio and Bartolo (Il barbiere di Siviglia). Rossini wrote his Petite Messe Solennelle in his old age, 30 years after his last opera. The work, for the unusual combination of 4-part chorus, vocal soloists, piano 4-hands and harmonium, is a unique blend of the comic and devotional, of superficiality and deep feeling. Because of the small instrumental forces the work is often performed, to great public success. Also included is the seldom performed Hymn O salutaris hostia, for soprano and piano. A world premiere is the Salutaris de campagne, added as a bonus track. The soloists on this new recording have won their spurs in the field of Italian opera, all of them seasoned Rossini singers. The excellent liner notes relate the history of the work and it’s interpretation, the specifications of the instruments used, and biographies of the singers.