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Handmade Complete Organ Music (Box)

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SKU: SK0463766-US20260105-083122 Category: Tag:
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1. Pièces En Style Libre, Op. 31 Livre I: I. Préambule
2. Pièces En Style Libre, Op. 31 Livre I: II. Cortège
3. Pièces En Style Libre, Op. 31 Livre I: III. Complainte
4. Pièces En Style Libre, Op. 31 Livre I: IV. Épitaphe
5. Pièces En Style Libre, Op. 31 Livre I: V. Prélude
6. Pièces En Style Libre, Op. 31 Livre I: VI. Canon
7. Symphony No. 1 In D Minor, Op. 14: I. Prélude
8. Symphony No. 1 In D Minor, Op. 14: II. Fugue
9. Symphony No. 1 In D Minor, Op. 14: III. Pastorale
10. Symphony No. 1 In D Minor, Op. 14: IV. Allegro Vivace
11. Symphony No. 1 In D Minor, Op. 14: V. Andante
12. Symphony No. 1 In D Minor, Op. 14: VI. Final
13. Symphony No. 2 In E Minor, Op. 20: I. Allegro
14. Symphony No. 2 In E Minor, Op. 20: II. Choral
15. Symphony No. 2 In E Minor, Op. 20: III. Scherzo
16. Symphony No. 2 In E Minor, Op. 20: IV. Cantabile
17. Symphony No. 2 In E Minor, Op. 20: V. Final
18. Triptyque, Op. 58: II. Communion
19. Triptyque, Op. 58: I. Matines
20. Triptyque, Op. 58: III. Stèle Pour Un Enfant Défunt
21. Symphony No. 3 In F-Sharp Minor, Op. 28: I. Allegro Maestoso
22. Symphony No. 3 In F-Sharp Minor, Op. 28: II. Cantilène
23. Symphony No. 3 In F-Sharp Minor, Op. 28: III. Intermezzo
24. Symphony No. 3 In F-Sharp Minor, Op. 28: IV. Adagio
25. Symphony No. 3 In F-Sharp Minor, Op. 28: V. Finale
26. Allegretto In B Minor, Op. 1
27. Communion, Op. 8
28. Pièces En Style Libre, Op. 31 Livre I: VII. Méditation
29. Pièces En Style Libre, Op. 31 Livre I: VIII. Idylle Mélancolique
30. Pièces En Style Libre, Op. 31 Livre I: IX. Madrigal
31. Pièces En Style Libre, Op. 31 Livre I: X. Rêverie
32. Pièces En Style Libre, Op. 31 Livre I: XI. Divertissement
33. Pièces En Style Libre, Op. 31 Livre I: XII. Canzona
34. Symphony No. 4 In G Minor, Op. 32: I. Prélude
35. Symphony No. 4 In G Minor, Op. 32: II. Allegro
36. Symphony No. 4 In G Minor, Op. 32: III. Menuet
37. Symphony No. 4 In G Minor, Op. 32: IV. Romance
38. Symphony No. 4 In G Minor, Op. 32: V. Final
39. Verset Fugué Sur 'in Exitu Israël'
40. Marche Triomphale Du Centenaire De Napoléon I, Op. 46
41. Pièces En Style Libre, Op. 31 Livre II: XIII. Légende
42. Pièces En Style Libre, Op. 31 Livre II: XIV. Scherzetto
43. Pièces En Style Libre, Op. 31 Livre II: XV. Arabesque
44. Pièces En Style Libre, Op. 31 Livre II: XVI. Choral
45. Pièces En Style Libre, Op. 31 Livre II: XVII. Lied
46. Symphony No. 5 In A Minor, Op. 47: I. Grave
47. Symphony No. 5 In A Minor, Op. 47: II. Allegro Molto Marcato
48. Symphony No. 5 In A Minor, Op. 47: III. Tempo Di Scherzo Ma Non Troppo Vivo
49. Symphony No. 5 In A Minor, Op. 47: IV. Larghetto
50. Symphony No. 5 In A Minor, Op. 47: V. Final
51. Pièces En Style Libre, Op. 31 Libre II: XVIII. Marche Funèbre
52. Pièces En Style Libre, Op. 31 Libre II: XIX. Berceuse
53. Pièces En Style Libre, Op. 31 Libre II: XX. Pastorale
54. Pièces En Style Libre, Op. 31 Libre II: XXI. Carillon Sur La Sonnerie Du Carillon De La Chapelle Du Château De Long
55. Pièces En Style Libre, Op. 31 Libre II: XXII. Élégie
56. Pièces En Style Libre, Op. 31 Libre II: XXIII. Épithalame
57. Pièces En Style Libre, Op. 31 Libre II: XXIV. Postlude
58. Symphony No. 6 In B Minor, Op. 59: I. Introduction Et Allegro
59. Symphony No. 6 In B Minor, Op. 59: II. Aria
60. Symphony No. 6 In B Minor, Op. 59: III. Scherzo
61. Symphony No. 6 In B Minor, Op. 59: IV. Adagio
62. Symphony No. 6 In B Minor, Op. 59: V. Final
63. Messe Basse, Op. 30: I. Entrée
64. Messe Basse, Op. 30: II. Introït
65. Messe Basse, Op. 30: III. Offertoire
66. Messe Basse, Op. 30: IV. Élévation
67. Messe Basse, Op. 30: V. Communion
68. Messe Basse, Op. 30: VI. Sortie
69. Messe Basse Pour Les Défunts, Op. 62: I. Introït
70. Messe Basse Pour Les Défunts, Op. 62: II. Prélude
71. Messe Basse Pour Les Défunts, Op. 62: III. Offertoire
72. Messe Basse Pour Les Défunts, Op. 62: IV. Élévation
73. Messe Basse Pour Les Défunts, Op. 62: V. Communion
74. Messe Basse Pour Les Défunts, Op. 62: VI. Défilé
75. Prélude Funèbre, Op. 4
76. 3 Improvisations: I. Cortège
77. 3 Improvisations: II. Marche Épiscopale
78. 3 Improvisations: III. Méditation
79. Pièces De Fantaisie Suite No. 1, Op. 51: I. Prélude
80. Pièces De Fantaisie Suite No. 1, Op. 51: II. Andantino
81. Pièces De Fantaisie Suite No. 1, Op. 51: III. Caprice
82. Pièces De Fantaisie Suite No. 1, Op. 51: IV. Intermezzo
83. Pièces De Fantaisie Suite No. 1, Op. 51: V. Requiem Aeternam
84. Pièces De Fantaisie Suite No. 1, Op. 51: VI. Marche Nuptial
85. Pièces De Fantaisie Suite No. 2, Op. 53: I. Lamento
86. Pièces De Fantaisie Suite No. 2, Op. 53: II. Sicilienne
87. Pièces De Fantaisie Suite No. 2, Op. 53: III. Hymne Au Soleil
88. Pièces De Fantaisie Suite No. 2, Op. 53: IV. Feux Follets
89. Pièces De Fantaisie Suite No. 2, Op. 53: V. Clair De Lune
90. Pièces De Fantaisie Suite No. 2, Op. 53: VI. Toccata
91. Pièces De Fantaisie Suite No. 3, Op. 54: I. Dédicace
92. Pièces De Fantaisie Suite No. 3, Op. 54: II. Impromptu
93. Pièces De Fantaisie Suite No. 3, Op. 54: III. Étoile Du Soir
94. Pièces De Fantaisie Suite No. 3, Op. 54: IV. Fantômes
95. Pièces De Fantaisie Suite No. 3, Op. 54: V. Sur Le Rhin
96. Pièces De Fantaisie Suite No. 3, Op. 54: VI. Carillon De Westminster
97. Pièces De Fantaisie Suite No. 4, Op. 55: I. Aubade
98. Pièces De Fantaisie Suite No. 4, Op. 55: II. Résignation
99. Pièces De Fantaisie Suite No. 4, Op. 55: III. Cathédrales
100. Pièces De Fantaisie Suite No. 4, Op. 55: IV. Naïades
101. Pièces De Fantaisie Suite No. 4, Op. 55: V. Gargouilles Et Chimères
102. Pièces De Fantaisie Suite No. 4, Op. 55: VI. Les Cloches De Hinckley

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Organ works account for only 17 of Vierne’s 62 opus numbers, and yet no one would now question his status as the organ’s greatest symphonist after Franck and Widor. His six symphonies stand at the pinnacle of the 20th-century literature for the instrument: the six-movement First Symphony with it’s fugue and celebrated Final (‘my Marseillaise’, as he referred to it); the Second, his masterpiece, with it’s scintillating scherzo; the Third, the shortest and most concise; the Fourth, whose tortured outer movements are in sharp contrast to the buoyant Menuet and sumptuous Romance; the Fifth, the longest, and in many respects the most elevated; his Sixth and last, the most harmonically advanced and psychologically complex, rising from the depths of despair to ebullience in it’s rampant Final. In complement to the symphonies, Vierne composed several suites of pieces ‘in a free style’, as well as more impressionistically conceived sets of fantasy pieces. Music specifically designed for the liturgy includes a pair of organ masses – one of them a requiem – and a triptych of meditations. Whether reflective and deeply etched with chromaticism or ebullient and thunderous, all of Vierne’s output for his own instrument is conceived with the sound and tonal variety of Cavaillé-Coll’s organ’s in mind – one of the largest of all being the organ at Notre Dame in Paris, where Vierne occupied the post of titular organist for many decades. The German-American organist Wolfgang Rübsam has himself been counted among the finest living organists for many decades, internationally known through over a hundred highly acclaimed albums of organ repertoire from the Baroque and Romantic periods including recent Bach recordings on the lute-harpsichord for Brilliant Classics: ‘These lovely performances memorably showcase Rübsam’s sensitive and poetic side’ (Classics Today).