Grante Plays Rachmaninoff Next Day Delivery
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| 1. 13 Preludes, Op. 32: No. 1 In C Major: Allegro Vivace |
| 2. 13 Preludes, Op. 32: No. 2 In B Flat Minor: Allegretto |
| 3. 13 Preludes, Op. 32: No. 3 In E Major: Allegro Vivace |
| 4. 13 Preludes, Op. 32: No. 4 In E Minor: Allegro Con Brio |
| 5. 13 Preludes, Op. 32: No. 5 In G Major: Moderato |
| 6. 13 Preludes, Op. 32: No. 6 In F Minor: Allegro Appassionato |
| 7. 13 Preludes, Op. 32: No. 7 In F Major: Moderato |
| 8. 13 Preludes, Op. 32: No. 8 In A Minor: Vivo |
| 9. 13 Preludes, Op. 32: No. 9 In A Major: Allegro Moderato |
| 10. 13 Preludes, Op. 32: No. 10 In B Minor: Lento |
| 11. 13 Preludes, Op. 32: No. 11 In B Major: Allegretto |
| 12. 13 Preludes, Op. 32: No. 12 In G Sharp Minor: Allegro |
| 13. 13 Preludes, Op. 32: No. 13 In D Flat Major: Grave – Allegro |
| 14. Variations On A Theme Of Corelli, Op. 42: Theme: Andante |
| 15. Variations On A Theme Of Corelli, Op. 42: Variation 1: Poco Piu Mosso |
| 16. Variations On A Theme Of Corelli, Op. 42: Variation 2: L'istesso Tempo |
| 17. Variations On A Theme Of Corelli, Op. 42: Variation 3: Tempo DI Menuetto |
| 18. Variations On A Theme Of Corelli, Op. 42: Variation 4: Andante |
| 19. Variations On A Theme Of Corelli, Op. 42: Variation 5: Allegro (Ma Non Tanto) – Variation 6: L'istesso Tempo |
| 20. Variations On A Theme Of Corelli, Op. 42: Variation 7: Vivace |
| 21. Variations On A Theme Of Corelli, Op. 42: Variation 8: Adagio Misterioso |
| 22. Variations On A Theme Of Corelli, Op. 42: Variation 9: Un Poco Piu Mosso |
| 23. Variations On A Theme Of Corelli, Op. 42: Variation 10: Allegro Scherzando |
| 24. Variations On A Theme Of Corelli, Op. 42: Variation 11: Allegro Vivace |
| 25. Variations On A Theme Of Corelli, Op. 42: Variation 12: L'istesso Tempo |
| 26. Variations On A Theme Of Corelli, Op. 42: Variation 13: Agitato |
| 27. Variations On A Theme Of Corelli, Op. 42: Intermezzo |
| 28. Variations On A Theme Of Corelli, Op. 42: Variation 14: Andante (Come Prima) |
| 29. Variations On A Theme Of Corelli, Op. 42: Variation 15: L'istesso Tempo |
| 30. Variations On A Theme Of Corelli, Op. 42: Variation 16: Allegro Vivace |
| 31. Variations On A Theme Of Corelli, Op. 42: Variation 17: Meno Mosso |
| 32. Variations On A Theme Of Corelli, Op. 42: Variation 18: Allegro Con Brio |
| 33. Variations On A Theme Of Corelli, Op. 42: Variation 19: Piu Mosso, Agitato |
| 34. Variations On A Theme Of Corelli, Op. 42: Variation 20:Variation XX: Piu Mosso |
| 35. Variations On A Theme Of Corelli, Op. 42: Coda: Andante |
| 36. Ostrov Myortvikh (The Isle Of The Dead), Op. 29 (Arr. For Piano) |
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Serge Rachmaninoff’s piano music can serve as a powerful introduction to the instrument for those not yet familiar with classical repertoire: it’s immediacy, sheer charm, and expressive power cannot fail to move even non-musical listeners. These same qualities, however, yield the most common prejudices against Rachmaninoff, especially among those who view him as a reactionary bent on easy appreciation, as if this were inherently synonymous with mediocrity. In these virtuosic performances of three Rachmaninoff solo works of which Isle of the Dead is a recording premiere Italian pianist Carlo Grante demonstrates the music’s depth of thought, originality, and inventiveness, making a convincing case for it’s viability today.


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