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Get Yours Galant Night Fever - Quartets, Trio & Duet
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Get Yours Galant Night Fever – Quartets, Trio & Duet

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SKU: SK0462354-US20260105-083122 Category: Tag:
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DISC: 1

1. Quartetto in B flat Major, Op. 4 No. 6 for flute, violin, viola and basso~I. Allegro
2. Quartetto in B flat Major, Op. 4 No. 6 for flute, violin, viola and basso~II. Gavotte
3. Quartetto in B flat Major, Op. 2a No. 5 for flute, violin, viola and basso~I. Allegro moderato
4. Quartetto in B flat Major, Op. 2a No. 5 for flute, violin, viola and basso~II. Presto
5. Trio in A Major, Op. 6 No. 3 [StWV. 186/3] for 2 violins and basso~I. Tempo giusto
6. Trio in A Major, Op. 6 No. 3 [StWV. 186/3] for 2 violins and basso~II. Presto
7. Quartetto in G Major, Op. 5 No. 2 [Hob. II G4] for flute, violin, viola and basso~I. Presto assai
8. Quartetto in G Major, Op. 5 No. 2 [Hob. II G4] for flute, violin, viola and basso~II. Menuetto
9. Quartetto in G Major, Op. 5 No. 2 [Hob. II G4] for flute, violin, viola and basso~III. Adagio sempre piano
10. Quartetto in G Major, Op. 5 No. 2 [Hob. II G4] for flute, violin, viola and basso~IV. Presto assai
11. Duetto in D Major, Op. 18 No. 1 for violin and viola~I. Adagio
12. Duetto in D Major, Op. 18 No. 1 for violin and viola~II. Allegro
13. Duetto in D Major, Op. 18 No. 1 for violin and viola~III. Thema con variazione (Andante)
14. Quartetto in E minor, Op. 10 No. 6 for flute, violin, viola and basso~I. Allegro moderato
15. Quartetto in E minor, Op. 10 No. 6 for flute, violin, viola and basso~II. Adagio
16. Quartetto in E minor, Op. 10 No. 6 for flute, violin, viola and basso~III. Tempo primo
17. Quartetto in E minor, Op. 10 No. 6 for flute, violin, viola and basso~IV. Allegro

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Born in Brussels in 2020, The WIG Society (TWS) has rapidly grown into one of the most exciting musical ensembles on the European Early Music scene. As a rising ensemble within the EEEmerging+ programme, TWS has developed an original approach to the chamber music of the galant and classical period. Their playing highlights the lavish, extravagant, and witty elements of a repertoire principally designed to entertain an aristocratic society on the decline. They re-imagine rococo ballrooms and salons as contemporary dance floors, Haydn as the Beyonce of the 1770s. Their sound is rich and nuanced in depth thanks to the employment of both the harpsichord and the double-bass, instead of the traditional cello. Alongside works by celebrated composers, TWS proposes some world premiere recordings of neglected composers from the Mannheim School and beyond.

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