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Berlioz: Harold En Italie Les Nuit D’ete Don’t Miss Out
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DISC: 1
| 1. Berlioz: Harold en Italie, Op. 16 40:40 |
| 2. Track 2 |
| 3. Harold Aux Montagnes. Scènes de Mélancolie, de Bonheur Et de Joie. Adagio 15:14 |
| 4. Track 4 |
| 5. Marche de Pèlerins Chantant la Prière Du Soir. Allegretto 7:51 |
| 6. Track 6 |
| 7. Sérénade D’un Montagnard Des Abbruzes A Sa Maîtresse. Allegro Assai 5:58 |
| 8. Track 8 |
| 9. Orgie de Brigands. Souvenirs Des Scènes Précédentes. Allegro Frenetico 11:37 |
| 10. Berlioz: Les Nuits D’ÉTÉ, Op. 7, H. 81B 29:38 |
| 11. Track 11 |
| 12. Villanelle, H. 82 2:12 |
| 13. Track 13 |
| 14. Le Spectre de la Rose, H. 83 6:40 |
| 15. Track 15 |
| 16. Sur Les Lagunes, Lamento, H. 84 5:43 1 |
| 17. Track 17 |
| 18. Absence, H. 85 5:45 1 |
| 19. Track 19 |
| 20. Au Cimetière, Clair de Lune, H. 86 5:41 1 |
| 21. Track 21 |
| 22. L’île Inconnue, H. 87 3:37 |
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Berlioz: Harold en Italie Les Nuit D’ete – A new aesthetic calls for new forms: such is the challenge the composer set for himself in the two works presented here. In Les Nuits d’été, Berlioz pioneered – well before Mahler and Ravel – the song cycle for voice and orchestra. In Harold in Italy, scored for large orchestra and solo viola, he experimented with the symphonic genre. These period-instrument performances by Francois-Xavier Roth and Les Siècles feature violist Tabea Zimmermann and vocalist Stéphane Degout, heard here in the composer’s own version of Les Nuits d’été for baritone.





